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Tutorials · Detection and adaptation

Getting started with the detection and adaptation

Walkthroughs, in order, showing what you will see on screen. For a precise question rather than a lesson, the help page answers faster.

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Adapt a line that fits the mouth

The adapter writing the target version, who wants to know while writing whether it will hold. · 10 minutes

  1. Write in the adaptation column

    The original and the adaptation sit side by side, each with its timecode. You write while looking at the original, not from memory.

    The Translation view: original and adaptation side by side, with each line’s rate.
  2. Read the rate while writing

    The characters per second figure updates on every keystroke. Green: it fits. Yellow: there is room left. Red: the actor will not manage it. Thresholds depend on the line’s length, one speaks faster over three seconds than over half a second.

    The CPS column: each line’s rate, green, amber or red depending on its window.
  3. See the labials

    The consonants that close the mouth (B, P, M) and those that bite it (F, V) are marked on the text. That tells you whether your line lands where the actor’s lips close.

    The 77,288-entry lexicon is inside the application. This step works in the booth, on a train, or on a programme that is not allowed to leave the studio.

    The lip-cue window: each word with its visemes, and the mouth-shape legend.
  4. Ask for another word

    Double-click a word to get synonyms and expressions filtered by viseme: only those that keep the same mouth shape. That is where the tool saves time, hunting for a labial synonym by hand is the slowest gesture in the trade.

    Synonyms proposed for a word, filtered to the same mouth shape.

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