Getting started with voices
Walkthroughs, in order, showing what you will see on screen. For a precise question rather than a lesson, the help page answers faster.
This tutorial as a PDF All tutorials in one document
Cast the voices and generate an episode
The dubbing director who wants to hear a mock-up before calling the actors in. · 20 minutes
Cast the project
Load the voices pulls the list available on your account, then you assign one voice per character. The casting belongs to the project: it carries across episodes.
You connect your own credentials. Costs, quotas and voice rights stay yours, which is also what leaves you in control of the provider.
Listen to the original performance
Analyse the original performance measures, line by line, the intensity, pitch, rate and intonation of the original actor. Those measurements are then attached to the tag request: the AI stops guessing the emotion from the meaning of the words alone.
The analysis is local, with no network and no cost. Each line is compared to the average of the same character: a bass voice is not “low”, it is normal for that actor.
Set the performance intent
Emotion tags suggests performance markers line by line. You can also insert them by hand wherever the reading has to change.
Generate the episode
Generation produces clips aligned to the project’s timecodes, plus separated stems. Each run is dated and kept: you can compare two versions instead of overwriting the last one.
Master for the broadcaster
Four loudness targets: broadcast −23, streaming −27, web −16, micro-drama −15 LUFS. It applies to the full mix and to every stem, and the broadcaster no longer has to reject the delivery over a level that is not theirs.
The mastered file is written next to the raw one, never over it: you compare the two, and keep the one you send.
Adjust the lips on screen
An advert, a corporate film, a training module: the picture has to match the dub. · 5 minutes of setup, then the processing
Point at the sequence and the dub
A video sequence and the dub that goes with it. The feature works on a shot, not on a whole episode.
Not for fiction. The actor’s performance is the product; distorting it damages the very thing you are paid to deliver. Axeho’s reference sync remains the one in the text, words chosen to land where the mouth closes.
Process only the part that matters
Bound the passage in seconds. Less data sent, so cheaper, and a better result: the service works on what matters instead of crossing the whole shot.
Accept the upload, then start
The video and the dub leave this machine and are processed by a third-party service. The box is ticked each time, for those files: it is a decision you take, not a setting you forget.
Everything else on this page works on the machine. This option is the only one that leaves, which is why it asks for explicit consent.
